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Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya.

IMDB: http://www.imdb.com/title/tt0795421/

Mamma Mia! (2008) download

Mamma Mia! (2008) download

Mamma Mia! (2008) download


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Thomas Drufke 3 years ago

It's really weird how the inner-workings of my brain function. Sometimes I'll be completely turned off by cheesy musicals (or cheesy films in general). Other times, I get a real joy out of watching something cheesy with earnest and intended heartfelt emotion. It's a case by case basis and depends on my mood I guess. 'Mamma Mia!' falls somewhere in between. The musical based off the broadway play, which is in turn based off music from ABBA, is outrageously silly and really lacks coherence in most parts. But it also contains endlessly catchy ABBA music and some performances that you absolutely cannot miss. And not necessarily great performances, more like actors you can't miss doing stupid-cheesy-musical stuff.The last paragraph is hardly written well, and that tends to fit the tone of the film. Sporadic, unexplainably and questionably sensual, colorful, with some (perhaps unintentionally) laugh out loud moments. It's not like this movie acts like it's an awards contender, although Streep was inexplicably nominated for a Globe that year (not like the Globes are the end-all be-all of award shows anyway). However, the cast is an impressive ensemble. Streep, Amanda Seyfried, Pierce Brosnan, Colin Firth, Julie Walters, Stellan Skarsgard, and Christine Baranski among others.There are some undeniably cringe worthy moments, most of which include actors or actresses who aren't musically inclined and attempt to perform a musical number. I hate to say it, but it reminded me of some cringey Disney Channel Original Movies. Which is why this movie can be a pain to watch but possibly a joy to re-watch. However, it can't be overstated how much of a soft-spot I have for ABBA's music, especially with this cheese-ball acting behind it. For that alone, I'm looking forward to the second film this summer.6.0/10

jm-11717 3 years ago

First review here on imdb. To be honest i took years to see Mamma Mia because i tought oh this is going to be a crap never take a moment in years to see the movie. It came the right moment i take myself a time to see the whole movie and i was very surprised with this movie. Some say it isin´t good or it´s horrible because of the singings. I say the actors and actresses can sing very well in this attending that they are not professional singers like most of the singing industry who can´t really sing. You need to give credit to this actors. Meryl Streep, Julie Walters and Christine Baranski were phenomenal in this. The only fault in this was Pierce Brosnan, i´m not sure about his cast here he sings nice but the face expressions makes me confused doesn´t match with the singing while Meryl Streep pour her emotions trough the singing perfectly. About Amanda Seyfried her voice is okay. The story of the movie is funny but not the best. Tought is very funny, it makes you want to sing and dance through the whole movie. The movie left me with a stupid smile on my face for seconds. It left me happy and positive. I rate this 5 out of 10.

shaswinchester 3 years ago

I absolutely love this movie, i can watch it like 5 times in a row if i wanted to too, and i love Colin's character and i absolutely love Petros, Juan Pablo Di Pace's character. They are honestly so cute together. The songs are amazing, ABBA never gets old to be honest, and overall it's just really cute and happy.

badajoz-1 3 years ago

Having avoided seeing the movie in the cinema, but buying the DVD for my wife for Xmas, I had to watch it. I did not expect much, which usually means I get more than I bargained for. But 'Mamma Mia' - utter, utter cr. I like ABBA, I like the songs, I have the old LPs. But this film is just terrible. The stage show looks like a bit of a musical, but this races along with songs hurriedly following one another, no characterisation, the dance numbers (which were heavily choreographed according to the extras on the DVD) are just thrown away with only half the bodies ever on screen, the dance chorus of north Europeans appear on a small Greek island at will, while the set and set up of numbers would have disgraced Cliff Richard's musicals in the sixties!Meryl (see me I'm acting)Streep can't even make her usual mugging effective in an over-the-top musical! Her grand piece - 'The Winner Takes It All' - is Meryl at the Met! Note to director - it should have been shot in stillness with the camera gradually showing distance growing between Streep and Brosnan! Some of the singing is awful karaoke on amateur night. The camera cannot stop moving like bad MTV. One can never settle down and just enjoy the music, enthusiasm and characters. But what is even worse is how this botched piece of excre** has become the highest grossing film in the UK and the best selling DVD to boot? Blair, Campbell and New Labour really have reduced the UK to zombies - critical faculties anyone???

Kazenako 4 years ago

it's awesome! thanks!!! a 10 v9.5

Joseph Belanger 3 years ago

Let me tell you. Just because I've been listening to ABBA almost non-stop since I saw MAMMA MIA! two days ago does not mean I enjoyed the film all that much. It's just the Swedish pop super group's music is so darn infectious. You would think that energy would translate to feel-great good time at the movies but sadly this is not the case. First time feature filmmaker, Phyllida Lloyd, spends far too much time dragging her feet when they should be dancing up and down the beach and no matter how many shots of the moonlight shimmering against the waves there are, the film is still a clunker instead of a stunner.When a musical is paper thin on the stage, it runs the risk of being just plain silly on the screen. On the stage, MAMMA MIA! is a somewhat justified excuse to revive a bunch of ABBA tracks wrapped into a completely implausible, overly romantic farce. Young Sophie (played on screen by Amanda Seyfried) is but 20 and about to marry the very supportive and very handsome, Sky (Dominic Cooper). Something is missing though. Sophie has lived on this tiny Greek island her entire life and helped run a crumbling hotel with her mother, Donna (Meryl Streep) but she has never met her father. As far as she knows, he left before her mother could say anything to him but a chance encounter with her mother's diary from the summer of her conception narrows the possible men to three. So rather than talk to her mother about her desire to know where she came from, she invites all three men (Pierce Brosnan, Colin Firth and Stellan Skarsgard) to her wedding, pretending to be her mother looking for a reunion. Naturally all three men accept the invite and hijinks ensue. While the campiness of the whole affair is forgiven on stage because the suspension of disbelief doesn't apply, this screen version is too far removed from the stage to feel the least bit plausible.I believe in angels, something good in everything I see. And while there is very little good to focus on in MAMMA MIA!, at least there is always surprising Streep. She jumps up and down on beds, slides down banisters without the least bit of concern for breaking her hip. She can sing too. Much like she did in THE DEVIL WEARS PRADA, Streep's performance as the lonely mother of the bride carries the film forward and, in the show stopping "The Winner Takes It All", elevates the film to heights it could never have achieved without her participation. Though the two don't get nearly enough screen time together, Streep and Seyfriend make a great mother/daughter combo. Seyfried's fresh exuberance seems like it might actually be inherited from her movie mom. The rest of the cast delivers varying results – Julie Walters clearly thinks she is a comic genius but she comes off too brash; Christine Baranski is miscast as an older bombshell making for some particularly awkward moments with younger men; and someone should ensure that Pierce Brosnan never sings on screen again.Ultimately, MAMMA MIA! never connects all of its components. A melodramatic moment is followed by a peppy ABBA song, which somehow erases everyone's pain. In that sense, ABBA's music is the perfect choice to set the tone as it is some of the most depressing pop lyricism set to upbeat melodies in pop history. While the contrast adds weight to the songs themselves, the musical masking casts an air of falseness that never lifts. What your left with is a compilation of poorly choreographed, plainly sung music videos. No offence, Meryl, but you are long past your MTV days.

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